![]() When you leave space between the clips you can adjust the color by adding a simple color matte and drop it on the layer underneath all the other clips. Also, you can move some clips a little off-screen to make some space between the different shots. You may want to be particular in how much you crop to keep certain clips at the same size as one another. You can adjust the cropping to focus in on the main part of the frame that has the action. If you don’t want to do a perfectly even scaling of all your clips for more creative control you can start by using the crop tool. Using the graphics panel you can get these fairly precise. To add a space between the clips you can just use the rectangle tool and draw them into place as bars along the split lines. Now each should be seated in one corner nicely. Here are the position settings you’ll want to use in 16:9 timelines: Now you want to place them each in their own corner. They should all now be the size of a quarter of the frame. You can then copy these settings and past them to the other clips. Select the top clip and head over to the Effect Controls panel. It is easiest if all your clips have the same resolution and that they match the timeline resolution. All you do is bring in all your clips on top of each other. This is the most basic method you can use and it makes a lot of sense. Looking at Adobe Premiere Pro CC, the Storysium channel has a breakdown of four different ways to create split screens in your next video project. ![]() And as with nearly every goal you set in an NLE there are a ton of tools and options that can get you there. There are plenty of different ways to lay your clips out and you need to decide which works for your video. They can also complicate your timeline since you are going to need to layer multiple clips and then organize and/or animate them in a way that is visually appealing. Split screens are a good way to get a lot of information on the screen.
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